Tuesday, December 6, 2016

Canada Goose Parkas and the howl of the Coyote

It’s the must have winter apparel of the Hollywood glitterati- from Morgan Freeman to Daniel Craig- and the well heeled thirty somethings living in England’s metropolitan Ya Ya land. You need an Arctic winter coat when your out and about in Henley on Thames! It is the 'Canada Goose' down parka which will usually set you back around £800+ for a standard parka made in the company’s Toronto factory. It was featured last night on the UK’s BBC ‘Fake Britain’ programme where a company spokesman bemoaned the import of cheap  Chinese copies which patently do not bear scrutiny when it comes to the undoubted quality of the genuine item.

However, whatever the qualities of this expensive winter coat, there is a dark and bloody element with sadly taints the product, the company, and those who choose to wear one. Unlike the highly popular North Face Macmurdo Parka which uses faux fur and humanly sourced goose down, the Canada Goose range use real Coyote fur. Trapped in gruesome, steel jawed sprung traps which cause immeasurable suffering to the animal before they are dispatched by gun before being stripped of their coat and dumped in a hellish mound of dead animals.

In recent years as the Canada Goose parka has become ever more popular, it has fueled a huge counterfeit trade which not surprisingly- given the price of a real CG parka- sells poorly made fakes through eBay at prices which betray their dubious origins. Made in the land of fake crap- China- many of these shoddy copies use dog fur brutally removed from live animals by boiling them alive in vats to enable the fur to be peeled off easily. It’s a brutal and grim trade that is being driven by fashion and snobbery. Both the original Canada Goose parkas with their coyote fur trimmed hoods and the counterfeit copies using equally barbarically sourced animal fur, have seen the market for their products grow considerably in recent years. Despite this grim production element which shows such a blatant disregard for animal welfare,receiving wide publicity in recent years.

As the popularity for Canada Goose Parkas increases, so does the demand for Chinese fakes. However, unlike the goose down used in parkas like the North Face which uses down and feathers as a by product from birds dispatched for food production, not surprisingly, the Chinese are not that fussy about ripping feathers and down from live birds.

Despite the fact that the wearing of fur coats has become widely regarded as ethically unsound and a fashion no-no for those who consider themselves as animal lovers, remarkably this element of the fur trade is thriving, thanks to the Canada Goose Company and the production of a garment considered to be outdoor apparel.

Those considering buying one of these parkas need to ask themselves. ‘Is any garment- no matter how functional, trendy and qualitative in design and production- worth an animals' suffering?’ Of course it isn’t! Save yourself several hundred pounds and buy alternative parka made by an ethical company like Patagonia or North Face. You know it makes sense!


Protection of fur bearing animals


The Dodo

Thursday, November 17, 2016

David Craig: Thoughts on Climbing. Audio Interview

I was delighted to receive a link from a Christian Shaw to an interview he had conducted with one of my favourite climbing writers, David Craig. I've had the pleasure of meeting and climbing with David and had the honour of doing a couple of first ascents with him here in north Wales.For a Scottish climber best known for his English Lake District climbs, it was nice to be able to show him what our local crags had to offer. Particularly- as accompanied by Harold and Neville Drasdo- we sampled some of the local esoterica and showed him that even here in a relatively small area like north Wales, we still have some out of the way crags where only the odd sheep and crow disturb the peace.

By coincidence, I had only that morning put out a Featured Archive Post of David's- 'At the Corrie of the Black Raven', which was a poignant reflection on coming to terms with the end of a climbing life. Anyway...enough of the chatter. Enjoy the rich Aberdonian tones of a master wordsmith by clicking on the link below.

David Craig: Thoughts on Climbing: (Christian Shaw Soundcloud)


Tuesday, November 8, 2016

Outdoor Action Camera: Canon Powershot G Series

Left-the later G11 Powershot, Right, an early G5 which was launched in 2003. The G5 became the template for the successful G series cameras from the 2006 G7 onwards.
What is the best camera for the outdoor activist? I don’t mean which camera takes the best pictures. Although ‘best’ is very subjective when it comes to photography. One person’s ’Wow...that’s totally stunning!!!’ is another ‘Meh...bit chocolate boxy for me!’. Similarly with film photography, especially photographs taken with cameras which fall into the Lomo category. Lomo LC-A’s themselves plus Holgas, Dianes etc. Some love the light leaks, vignetting and intense saturation.To others its just a bad photograph!

No...what I was considering is which camera -or range of cameras- tick the most boxes with regard to photo quality, versatility, compactness, useful features etc...all wrapped up in an aesthetically pleasing style? Most people will have their own opinions based on their own experiences but my own favourite is the Canon Powershot G series of super compacts. Remarkably, The G series began life way back in 2000 when the 3mp G1 was launched. Since that time they have been 12 G series camera and 7 GX series. The GX’s are a tad more refined with larger sensors and a larger price!

The Powershot G’s are to my eye, one of the most attractive super compacts on the market. Very retro, with film camera style dials and hot shoes and built like a proverbial tank! The camera body itself is old school metal with plastic reserved for the buttons and switches. When you pick it up you’ll notice the difference in weight between the camera and its rivals from Sony, Panasonic, Olympus and Nikon. It’s heavy man! That might not make it ideal as a climbing camera where a tiny compact like the Pentax Optio’s proves itself a perfect crag rat camera. For general outdoor stuff though, the G’s are small enough to put in a fleece pocket and with the additional refinements that come with a tried and tested super compact, it will take a better shot. Photographs taken on the G series have graced the front pages of outdoor magazine, guidebooks and websites the world over.

G11 left and G5 right with the popular flip out screen which was dropped in later models to the consternation of many G series aficionados.

My own first G series was the G9. Probably one of Canon’s best selling G series powershots. I loved it and used it a hell of a lot more than my big Nikon DSLR but unfortunately, I dropped it on a hard surface and smashed the rear screen. Even then, it still took photographs! I briefly had an older G7 which was going cheap on eBay. Despite a scratched lens and an alarming clunk when you retracted the lens of full zoom, it still took pretty good shots. I even sold it on on eBay at a profit. That’s the thing with these cameras. You can buy second hand and sell it on for a later model and providing you’ve looked after it, you can often get back what you paid for it. They really hold their value and are sought after.

Since then, two more G series powershots have been acquired to bulk out my heaving collection of film and digital cameras. My camera of choice for wandering the hills or shorelines of north Wales is the G11. Introduced in 2009, the G11 was the last camera in the series to offer a flip out screen which you can use as a traditional screen or reverse to protect. The G11 reversed the Powershot trend for more and more pixels and dropped down from the G10‘s 12mp to 10mp but compensated with a bigger sensor. Last week, I was waiting for a bus and popped in one of those Cash Converter shops where you can often find some nice cameras going cheap, although I always think of the poor soul who was reduced to selling his or her camera for peanuts in establishments like this!

In the display cabinet was an old G5. Introduced in 2003 and using one of those antique flash memory cards, this 5mb camera was in fact, in appearance, very much in the G series tradition. In fact you could say that the G5 became the template for all the Powershots which followed. This G5, despite being that bit bigger than my G11, was remarkably similar right down to the rear flip out screen. Early G Series cameras had a grey plastic body and the G6 which followed- apart from an ill judged design aberration- maintained the grey look. However, from the G7 onwards every Canon Powershot G series camera-including the X range- have been instantly identifiable by their chunky retro look and black body.

The Rivals taken on the 2003, 5mp Canon Powershot G5.

To be honest, I had bought the G5 to sell on as I could see on my phone that even this old Powershot was selling for three or four times what Cash Converters were selling it for. However, this weekend I gave it a run out before listing it and was delighted in the overall quality of the images. Here was an old school compact packing just 5mp on board and lacking the features which later Powershots would offer but like a lot of small mega pixel cameras from the early part of the century...Pentax Optios, Olympus Camedias and Nikon Coolpix's, the quality of the photographs quite often matches those of modern compact cameras.  Makes you think doesn't it?

Canon Powershot G Series Wikipeadia page

Wednesday, November 2, 2016

Lliwedd...Theatre of Nightmares

The classic 'Avalanche'.
I recently caught the late Jim Curran’s 1979 film based on Menlove Edward’s Essay ‘A Great Effort’ on You-Tube.(Linked below) This short, 17 minute film shows Jim following in Menlove’s footsteps and soloing an unnamed route on Lliwedd as the essay is narrated. It appears to be a cold winter’s day with some snow on the ledges and despite Jim being swaddled in the fibre pile garments, it must have been bitter, hence I think the rope he was tied on to was not being dragged behind-as the essay suggests was the case with Menlove-but played out to an attentive off camera partner.

The sombre nature of the film captures the saturnine aspect of Lliwedd perfectly. The vast 1000‘ north east facing cliff- popular a hundred years ago-has not surprisingly fallen into the realm of the seeker of solitude and climbing esoterica. That’s not to say that people don’t still climb in any numbers on Lliwedd, but compared to somewhere like the Tremadog cliffs, its a veritable backwater these days. Lliwedd was the first cliff in the UK to have a dedicated climbing guidebook. Archer Thomson’s 1909, Climbers Club published work. A few years after completion, he committed suicide by poison. The next climber to take up the Lliwedd baton was Menlove Edwards himself. His guidebook and linked essays are of course considered classics within the genre these days.

Menlove-like his Lliwedd predecessor,-also committed suicide by poison. Enter Harold Drasdo in the late 60‘s. His 1971 guide holds the CC record for being the slowest selling guidebook in the club’s history. Taking 30 years to sell out! You’re getting the picture I presume. If you want to escape the summer bank holiday crag queues head to Lliwedd!

Thankfully Harold wasn’t driven to suicide by the task and lived on happily into old age. Kelvin Neal’s 1998 guide was the last guidebook to Lliwedd- Just four in over 100 years! With the CC rationalizing its guidebook production in light of commercial competition and the trend for climbers to buy ‘Greatest Hits’ compendiums rather than dedicated guidebooks to specific cliffs, it’s quite possible that there will never be another Lliwedd guidebook published. Instead the great sulking cliff beloved of tweedy Edwardians,will only live on cyberspace as a digital guide.

I must admit, Lliwedd is not a venue I have ever warmed to-literally! It’s always been cold there and the terrain thereabouts just doesn’t lend itself to enjoyable climbing. Loose, vegetated, long run outs and holds which always seem to run against the grain so to speak. Mind you, I’ve probably only ever climbed there about three or four times and inevitably the so called classics. Horned Crag, Avalanche, Slanting Buttress and maybe something else? It was obviously a forgettable experience.

One of my most striking memories of Lliwedd was not actually related to climbing there but visiting the crag on a dank day when our plans had to be aborted. Standing under Menlove’s Central Buttress, we plotted a course up the tumbling defile as the first spots of rain began to speckle our kags. Within a few minutes the heavens had opened and a deluge of biblical proportions fell from the black sky. Above Central Buttress, the cliff funnels into a tight amphitheatre and this feature-acting as a trap- channelled the elemental deluge down and over the rim of the hanging cwm. Totally submerging the route under a foaming torrent of water. Central Route had become a waterfall which would have put Rhaeadr Ewynnol, (Swallow Falls) to shame.

Anyone climbing the route at the time would not only have drowned but would have been dashed to pieces by the force of the maelstrom. Needless to say, shaken and not a little stirred by what might have been, we fled down the hillside to the sanctuary of the PyG and blessed the deadly sin of sloth which had led to our late start. Yes...Lliwedd; as the saying goes..’been there, done that and bought the T shirt! I'm not sure I'll ever return but never say never I guess.

Jim Curran's 1979 'A Great Effort'.

Sunday, October 23, 2016

Mike Tomkies: Death of a Naturalist

I was sorry to learn of the death of nature writer and wilderness man, Mike Tomkies last week. I first came across this fascinating man when I read his classic Alone in the Wilderness. A tale best re-countered in the publisher’s blurb.....

"This is the story of a man who achieved what thousands only dream of. He shed the pressures of urban life as an international journalist and exchanged it for solitude, self-sufficiency and new purpose. He emigrated to Canada, found a plot of rock, trees and cliffs in a remote part of the British Columbian coastline, and moved in with typewriter, tent and the barest necessities to build his dream cabin.

How he eventually built his log cabin, learned to live off the sea, adjusted to and worked with the hardest taskmaster of all - Nature - fought loneliness and was inevitably drawn to greater understanding of his remote wilderness and its wild creatures, is an inspiring story. His adventures with nesting bald eagles, a cheeky raccoon, grizzlies, a lame seagull, killer whales and other creatures, are as informative as they are enthralling. Three extraordinary characters enhanced his experiences: Ed Louette, a skilled backwoods carpenter; Pappy Tihoni, a Scots-Indian who guided him on his most dangerous but fulfilling expedition into the mountains and wild dog Booto, who scratched at his cabin door with wagging tail when loneliness threatened to overwhelm.
This book is as compelling and perhaps even more relevant today with the world's great wilderness areas continuing to disappear.’
 (Alone in the wilderness-Whittles Publishing)

Alexandra Bastedo
The fascinating aspect of the story was the fact that Mike Tomkies fell by accident into this role as a champion of the wild. Previously he had been the archetypal metropolitan playboy. The celebrity journalist who chinked glasses with Hollywood icons and shared beds with glamorous actresses. This was someone who turned up at the Oscars ceremony in a beat up pick up truck and was mistaken for Warren Beatty, then in line for an Oscar for Bonnie & Clyde. Prompting Bob Hope to comment in his speech...'I see Warren Beatty is keeping in character for the ceremony’!

A former soldier before he became a celebrity journalist,it is said that Tomkies Canadian wilderness experience was prompted by his separation from glamorous actress Alexandra Bastedo and his desire to escape from the emotional turmoil. When I first read ‘Alone in the Wilderness’ I initially didn’t warm to the man. Comments made regarding the UK political climate and trade unions marked his out as someone of reactionary politics. I imagined this ex Coldstream Guardsman was probably a fellow traveller with the likes of Ranulph Twisteton Fiennes in the right wing libertarian Freedom Association.

However, despite political differences, further reading of the Tomkies oeuvre revealed a man who was totally sincere in his love of wildlife and the conservation of the natural environment. Of his many books, it was his Scottish tales of wilderness life described in ‘A Last Wild Place’ and ‘Between Earth and Paradise’ that really set the seal on my huge respect and admiration for a man who when it came to environmentalism, walked the walk and didn’t just talk the talk.

Reading these books recently it struck me that there was something of a contradiction in the manner of his wilderness life and his practicality, or rather his lack of practicality. Here was someone who could live an off grid life in a remote croft without mains services yet within the text of his books there were many descriptions of him going about his wilderness life which suggested he retained an urban impracticality and often appeared to make unnecessary hard work for himself. Nevertheless, for years he survived in the wild and funded his chosen life through his increasingly popular nature books.

A self taught photographer and film-maker, Tomkies went to great lengths lugging equipment into difficult to access locations and would often camp out for days in his hide,trying to get 'the money shot' of a sea eagle or a Monarch of the Glen. As with some of his writing work, many of his films and photographs were often more perfunctory than polished and finely honed. Produced to 'turn a buck' rather than inspire critical acclaim. Nevertheless, whatever the quality-and there certainly was quality aplenty in much of his work- one has to admire his gritty determination and resilience in producing material which whetted the public's growing appetite for ecological media.

Ironically for the wilderness man, after his Canadian, Scottish and Spanish peregrinations he ended up living in the fat south of England in prosperous Sussex. Far from the Atlantic gales and deprivations encountered when living the life of a crofter on the Scottish west coast. Mike Tomkies died after collapsing on a nature reserve aged 88 . It was, I guess, the only way he would have wanted to go. Certainly his remarkable life reads like a work of fiction. A quite surreal double life as the Hollywood hack who evolved into nature writer, is by any definition, beyond extraordinary.

Wednesday, October 19, 2016

A little bit of Monkey Wrenching in the north Wales Hills

In a recent blog I bemoaned the fact that so much of Wales is falling victim to the subsidized obsession for stock fencing vast swathes of the countryside. In many cases, areas which have never previously been fenced. To rub salt into the hill wanderers' wounds,farmers and landowners inevitably top off their fences with barbed wire.A totally pointless and useless gesture which has absolutely nothing to do with keeping stock in and everything to do with keeping people out.

With most of north and mid Wales being stocked-rather overstocked- with sheep then even the most myopic NFU official would have to agree that barbed wire topped stock fence is pretty pointless for keeping sheep confined to their pasture. As for larger beasts like cattle and horses, again, barbed wire just isn’t necessary as they rarely will attempt to jump fences of sufficient height and if say a horse does attempt to jump a barbed wire fence, it faces having it’s under quarters sliced open.Expensive for owner and possibly deadly for the animal.

As intimated in the ‘Wire in the soul’ blog piece I decided that enough is enough. Outdoor folk are too wet and accepting of restrictions placed on them by ignorant landowners. Organisations like the BMC and the Ramblers naturally prefer negotiation and a mutually agreed policy regarding access. Unfortunately,large sections of the landowning/farming community will never agree to open access on their land and their response has been the rash of fences erected in the uplands. Time to do a wee bit of Monkey Wrenching!

Armed with a pair of mini bolt cutters, I set off into the local uplands to tackle a long ridge walk which when I first did it about 5 years ago, I was dismayed to find the long undulating expanse of moorland ridge severely interupted by a stone wall topped with three strands of barbed wire,providing an 2.5m/8ft barrier to the walker. Why? It’s rough, rolling heather moorland which is not even grazed by sheep? I could understand high fencing for deer but this is not deer or cattle country. I encountered something like this a few weeks ago on a circular walk on Yr Eifl on the Lleyn Peninsular. I’d come down from the final peak to find a stone wall, topped with two strands of Barbed wire,providing a 7‘ barrier. Having the dog with me and no cutters,it provided an interesting challenge to get passed.

Beyond the first little peak, two barbed wire topped fences...snip, snip. Onwards to ‘The Wall’. With great pleasure I snipped the three strands of wire and lifted the dog over and carried on. Even the final peak which is well frequented by peak baggers had barbed wire across the fence beneath the summit. Walkers had cobbled together a few rocks to create some steps and had tied a fertiliser sack -that farmers are fond of leaving blowing across the hillsides- around the barbed wire to try and lessen the chances of slicing open your person or clothing....snip! In fact...snip, snip, snip, snip...and hey presto a dog gate!

Taking my inspiration from Edward Abbey’s classic tale of ecotage, The Monkey Wrench Gang, I feel its incumbent on walkers who value open access and the right to roam to stop just accepting these barbed sanctions on our freedom, get themselves a pair of mini bolt cutters which slice through barbed wire a treat, and get snipping. As Abbey says...’If the wilderness is outlawed,only outlaws can save the wilderness!’. OK...it’s not exactly the Earth Liberation Front stuff but its something that every lover of the great outdoors can do to make our passage over the land that bit easier and to symbolize our rejection of this unacceptable trend to fence in the open spaces.

Tuesday, October 18, 2016

Vertebrate Double Top at the Banff Mountain Festival

Vertebrate Publishing books by Andy Kirkpatrick and Simon McCartney have both scooped awards in the 2016 Banff Mountain Book Competition. 
Andy Kirkpatrick’s 1001 Climbing Tips has won the Guidebook prize, while Simon McCartney’s mountaineering epic The Bond was announced as the winner in the Mountain and Wilderness Literature Non-Fiction category. There are now seven category winners eligible for the $4,000 Grand Prize, which will be announced on Thursday 3 November at the Banff Mountain Film and Book Festival. Other category award winners include Yosemite in the Fifties, by Dean Fidelman, in the Mountain Image category, and Rock Queen, by Catherine Destivelle, in the Mountaineering History category. 

Following the announcement of the winners, Vertebrate’s owner and managing director Jon Barton commented: ‘Tremendous news for Simon and Andy, and the culmination of many years of work for our team in Sheffield. When we first saw the manuscript for The Bond we knew it was something special, and we instinctively felt the same about 1001 Climbing Tips. To have them both recognised like this by a jury of our peers is a great feeling”.

The Bond is Simon McCartney’s gripping account of the first ascents of the north face of Mount Huntington and the south-west face of Denali with Californian ‘Stonemaster’ Jack Roberts over thirty-five years ago, and about the bond that links climbers together. Simon barely survived the Denali climb, and the story is told through his own words and excerpts from Jack’s and others’ journals. 1001 Climbing Tips is Andy Kirkpatrick’s irreverent take on the instructional manual, packed full of bite-sized wisdom. 

Vertebrate titles have won the Banff Grand Prize on two prior occasions: in 2009, with Revelations by Jerry Moffatt and Niall Grimes, and in 2014, with One Day as a Tiger, John Porter’s poignant memoir of his friend Alex MacIntyre. Vertebrate’s Peak District Bouldering also won the Guidebook prize in 2011. The Bond is also shortlisted for the 2016 Boardman Tasker Award for Mountain Literature, the winner of which will be announced at the Kendal Mountain Festival on Friday 18 November. 

About Simon McCartney
Simon McCartney was born in London in 1955 and was introduced to the mountains of the UK by his father, Mac. He became addicted to climbing in his early teens and spent his school holidays climbing all over the UK. A fine season in 1977 as the sorcerer’s apprentice to Dave Wilkinson, one of Britain’s leading alpinists, produced a number of paradigm-changing climbs. A first and extreme ascent in the Bernese Oberland and a string of second ascents and test-piece climbs around Chamonix changed Simon’s perspective on what was possible. The pair attempted a summer ascent of the north face of the Eiger but were thwarted by poor weather. Simon climbed the route in the winter of 1979. In 1977 Simon met Californian ‘Stonemaster’ Jack Roberts in a Chamonix bar. A partnership was formed and the pair went on to test the limits of their ability on two remarkable first ascents in Alaska, the second of which, on Denali in 1980, effectively ended Simon’s climbing career. Simon is now a successful businessman living in Hong Kong where his dubious talent in calculated but compulsive risk-taking has continued, albeit on South-East Asia’s most prestigious buildings. The Bond is his first book.

About Andy Kirkpatrick
Andy Kirkpatrick has a reputation for seeking out routes where the danger is real and the return questionable, pushing himself on some of the hardest walls and faces in the Alps and beyond. He was born and raised on a council estate in Hull, one of the UK’s flattest cities, and suffered from severe dyslexia which went undiagnosed until he was nineteen. Thriving on this apparent adversity, Andy transformed himself into one of the world’s most driven and accomplished climbers and an award-winning writer. In 2001 he undertook an eleven-day solo ascent of the Reticent Wall on El Capitan, one of the hardest solo climbs in the world. This climb was the central theme of his first book Psychovertical, which won the 2008 Boardman Tasker Prize for Mountain Literature. His second book, Cold Wars, won the 2012 Boardman Tasker Prize. In 2014 he partnered BBC One’s The One Show presenter Alex Jones as she climbed Moonlight Buttress in Zion National Park in aid of Sport Relief. He is currently working on a film with Jen Randall based on his first book Psychovertical.